Movie Review: Dunkirk

(Note: originally written in August 2017)

“Dunkirk” is a 106-minute movie directed and written by Christopher Nolan, director of moves such as “Inception”, “Interstellar”, and the “Batman” movie trilogy. The movie is Nolan’s first time directing a movie about real-life events: in this case, allied soldiers from Belgium,England and France being evacuated by hundreds of boats from their home countries during a fierce battle in World War II. Since this movie is Nolan’s first time adapting a real life event, and the second time a movie about the historical event has been made in 59 years, there was certainly a lot going for it, and there was a lot that critics were looking for.

The movie definitely delivers: It tells the story in a very brutal fashion: there is no hesitation is showing death in every way possible. The story is told from three points of view: infantry, naval and air forces, and every force gets their share of destruction. Furthermore, there are no “main characters” in the film, every man standing is a character in their own right, whether they live or die. It certainly was a risky move: even top-billed actors like Tom Hardy only had about 10 lines of dialogue, and there many unknown and rookie actors involved, unlike Nolan’s other films. However, they all did a great job portraying young men in the middle of a war, and even the extras (about 1,500 men) did their fair share of acting as well. The soundtrack, done by Hans Zimmer, also helped set the mood for whatever scene there was: hopeful tones, booming bass lines, or tension-filled ticks.

This movie certainly isn’t for everyone. Not all people want to see a brutal war story, or see scenes of death every few minutes. However, there are scenes of hope throughout. Dunkirk may have been seen as a sign of defeat by the British government, but to the people, it was a sign of hope and what the people were willing to do for their country. You may have come to see death, but you walk out of with hope, even if you feel a little sadness. It is, without a doubt, one of the best movies this summer, and might go on to be one of the best war movies ever made.

 

Movie Review: The Last Jedi

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WARNING: This review may contain spoilers.

After the exhilarating ride that was Star Wars: The Force Awakens, we were all at the edge of our seats wondering what was going to happen next. What will Luke do? Will Rey’s parents be revealed? Who is Snoke, exactly? When will Kylo Ren stop being an emo? And much, much more.. It was up to Rian Johnson to decide the next sequence of events. For a director who isn’t big, (the only notable films he’s made are Brick and Looper) could he possibly give us the answers and excitement we were hoping for and make those two long years of waiting worth it?

In my opinion, I think Star Wars: The Last Jedi is the most polarizing Star Wars film yet.

Before I get into this, I’d like to mention that this film is not without positives. The action sequences, settings, and cinematography were stunning; this is the most beautifully shot Star Wars film so far. The action sequences kept you at the edge of your seat and provided relief from the slow-moving plot, all while John Williams’ excellent score only added to the already exciting action. The planets we see in this movie, while not all that different from others (except for one, which I’ll mention later), were nice to look at and improved the vibe of the film.

My main issue with this film is that overall,  almost nothing is explained or happens. Which, too me, is very surprising, considering its two and a half hours long. Almost all the questions and theories shown in The Force Awakens were completely subverted or, at the very least, barely explained. In addition, there are quite a few nonsense subplots scattered throughout, most of which end up accomplishing nothing, and the characters in these subplots only just learn something from their actions. Furthermore, there are some very strange decisions thrown in this movie, one of them being the casino planet, which not only gave me prequel flashbacks, but also looked awful and did not fit in with the general theme of Star Wars.

In conclusion, The Last Jedi is not terrible, nor is it the worst Star Wars film. However, with all the weird decisions, nonsense subplots, and little to no character accomplishments, I can’t help but wish this film had been handled better. Although I am still looking forward to the next addition to the franchise, I can’t help but wonder if waiting two more years is really worth it. But, as about 20 different characters say throughout the entirety of this film, there’s still hope.

Final rating: 7/10

Anime Review: Juuni Taisen

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It’s safe to say that Juuni Taisen (also known as Zodiac War) was one of the most anticipated anime of this year’s fall season. With an intriguing plot (12 warriors who are burdened with the names of the 12 Chinese Zodiac members fight with each other’s lives and pride at stake, all to grant just one wish), awesome character designs, and stylistic animation, it seemed like it was going to be good. Coupled with the fact that it was based on a story written by Nisio Isin, one of the most popular Japanese authors (Monogatari, Medaka Box) , there wasn’t anything that could possibly go wrong… or was there?

First off, let’s start with what I liked about the show, animation-wise. Overall, the show has a solid art direction. The character designs are, as I previously mentioned, awesome, and every character has their own distinct charm without looking too out-of-place. I was also very surprised that a show with this sort of plot would have stylized animation, as the outlines of the characters and the backgrounds of the setting are quite striking. While I do feel that the 3D animation was not the best, – insert joke about the Japanese not being able to animate in 3D to save their lives here – and the quality drops off quite a bit in the later episodes (as expected of a rather new studio), the animation as a whole was alright.

As for the sound design, both the opening and ending themes are some of the best anime songs of 2017 as a whole, and I myself never skipped them for all 12 episodes. The ending theme “Kenshin No Kemono” by Do As Infinity was a great treat, as it is composed by Hiroyuki Sawano, widely considered to be one of the best music composers in anime (see: Attack on Titan, Blue Exorcist, Kill La Kill). Not to be outdone by the ending, the opening song “Rapture” by Panorama Panama Town is also an ear worm, with catchy punk rock vibes. All the voice actors did an excellent job, but the best performance has to go to Nobuhiko Okamoto as Usagi, with a voice that made Usagi sound both absolutely terrifying and incredibly childish at the same time.

Moving on to the characters, I thought that the show did a good job of making every character feel unique and interesting as a whole, although not all of them got the same amount of screen time because, remember, this is a death game show.  Most of the entertainment from Juuni Taisen comes from the characters, as you’d expect from a show with a paper-thin plot. All the characters have very distinct personalities and special abilities (most of which are related to their assigned zodiac) which are revealed over time. Another aspect to mention is that each of these characters have their own backstories, which make you more inclined to to pity them (somewhat) and become endeared with their struggle to win and have their one wish granted, no matter how overdone you may think their personalities are.  However….

The plot as a whole was one of the weakest aspects of the show. Juuni Taisen understands how predictable stories in the Battle Royale genre can be, and it plays with this idea of predictability. It’s a show that acknowledges the nature of its genre, i.e all of the opponents in a death game but one will die eventually. It rubs its predictability in your face, so you don’t try to figure out who will die next, but analyze the show’s other aspects, namely, its characters. However, it soon becomes obvious that the plot is the most undercooked part of the show. There is little mention of how this whole Zodiac War was set up, or why it occurs. Occasionally in character backstories, said characters will offhandedly mention the Zodiac War as a sort of myth, but never explain it fully. Furthermore, we do not know who’s idea the War is, or what purpose it serves to the few anonymous VIPs who watch it. Even the referee, Duodecuple (also known as ‘Mr. Everybody Clap Your Hands’) has little to say about it. Nevertheless, at the end of the day, the characters are really what matter the most.

You know how Fate/Zero, a show with a very similar premise, is constantly praised for its visuals, which it relies on so heavily because theres really nothing else going for it? Juuni Taisen doesn’t have the luxury of fantastic Fate animation, which is why it devotes time to the characters and their intriguing personalities. In the end, Juuni Taisen is just a good time, a good time to watch an interesting cast of characters fight to the death. Go into it with an open mind, and you’ll probably enjoy it as much as I did.

Final rating: 7.5/10

Movie Review: Thor: Ragnarok

Creating a superhero movie is quite difficult. Not only do you have to make your main character likeable, his sidekicks favorable, and his enemies heinous, but you also have to make your story work, no matter what genre it is. Thor: Ragnarok has been marketed as Marvel’s first full-fledged comedy film, setting it apart from not only the other two Thor films, but also other Marvel films as a whole, which, while having certain elements of comedy, have never been considered as completely comedic. So, how good is it really?

The plot structure goes as follows: it’s been two years since the events of Avengers: Age of Ultron, and Thor, resident avenger and god of thunder, has returned to Asgard. Upon returning, however, many strange events begin to occur: his father is gone, his brother is up to more mischief than ever, and a mysterious woman called Hela wants to take over Asgard, in a monstrous event described as “Ragnarok”. Thor will have to save his kingdom, but first he’ll have to get through his brother, a junkyard planet, a drunk valkyrie, a death game, and…. The Hulk?

Overall, this movie definitely impressed me, because it really was just that: a stupid comedy film, something you could laugh at and not worry too much about. Every character has their own funny moments and lines, which only serve to make them more likeable than they already are. Some of the events in the story feel like were set up particularly for jokes, and it worked for the film’s advantage.

These jokes are also, surprisingly, used for characterization: a lot of them have to do with the personality of said characters, and we can see the characters grow closer through these moments. For example, Loki, who we’ve previously seen almost destroying New York and threatening to destroy Asgard as well, feels a lot more like a very awkward and arrogant child rather than an evil force, and the two brothers eventually learn to acknowledge each other as well. Overall, while this film may not feel like a Marvel movie for many of the more serious fans, it had everything a Marvel movie should have: humour, fights, and fun.

Final rating: ⅘

Anime Review: The Sky Crawlers

The Sky Crawlers is a Japanese anime film that was released in 2008 and was directed by Mamoru Oshii, famous for directing Ghost in the Shell, Patlabor 2, and Urusei Yatsura 2. It was made by Production I.G and produced by Tomohiko Ishii. It is an adaptation of a novel of the same name by Hiroshi Mori.

The plot goes as follows: in an alternate history time where although the world is at peace, in order to ease the tension of a future war, private corporations form contracts with fighter pilots to engage in combat against each other for the public’s viewing entertainment. When Yuichi Kannami is assigned to Rostock Corporation as their ace pilot, he begins to wonder if he is a Kildren – humans that have been genetically engineered to live an eternal adolescence. As the days go by, be begins to question who he truly is – and if the people in Rostock are really what they claim to be.

Although I personally have never read the original novel, I felt like I could understand the characters and setting very well, even in the runtime of 2 hours. However, not all the characters are developed fully: besides main characters Yuichi Kannami and his superior officer Suito Kusanagi (who, in my opinion, is very similar to Motoko Kusanagi from Ghost in the Shell), the other characters are usually given just one character trait: Tokino is a boisterous and easygoing guy, Yudogawa is a mysterious young man, Sasakura is a no-nonsense mechanic, Mizuki is an innocent younger sister, and Midori is a hot-blooded tomboy. However, the focus is not on these characters most of the time, so I could deal with it.

As for the pacing and tone, these are both handled well. The tone of the film remains dark and moody all the way through, with certain psychological and political aspects that aren’t too hard to understand for the regular viewer. The pacing is well thought out for a 2-hour film, whenever a big event happens in the movie’s universe, a lot of time is spent dedicated to explaining why and how it happened, showing us what the individual characters think of what happened, as well as how they attempt to solve the problem.

As for the animation, the animation is simple and concise, with precise details given to interior and mechanical designs. While the plane designs are very detailed, and a lot of attention is given to plane protocol and procedures, the film’s CGI isn’t the best when compared to Oshii’s other films that feature CGI. However, the majority of the movie is still hand-drawn. The soundtrack, composed by Kenji Kawai, while although not much different from his other work, is still beautiful to listen to.

Overall, The Sky Crawlers is a very smart and interesting movie. It sheds a light on very eye-opening concepts such as the meaning of life and why humanity needs fighting to be considered peaceful. Although not all the characters are fully realized and the CGI is wonky, the themes and music are enough to lift the movie up, not to mention the great voice acting work and the relationship between Yuichi and Suito, which is one of the most interesting bonds I’ve seen in any animated motion picture.

Final rating: 8/10.

 

 

Movie Review: Ghost in The Shell 2017

Ghost in the Shell (2017) is an action/sci-fi movie adaptation of the 1995 anime film of the same name, starring famous actress Scarlett Johansson (known for her role as Black Widow in the Avengers movie series) as main character Motoko Kusanagi. The film tells the story of Motoko and her team at Section 9 uncovering the truth of a mysterious hacker and a suspicious company CEO, who might want to use Kusanagi for his own ulterior motives…

Since it was an adaptation of a 1995 anime film, I expected them to redo the exact same story, but in live-action form. However, I was surprised to see that elements from the other Ghost in the Shell series (Stand Alone Complex, Innocence etc.) were included. The number of these were few and far between, but they made for some nice Easter eggs for fans of the franchise to see. Other than that, many scenes and most of the plot structure were the same as the original. However, since this is Hollywood, they had to make the movie in a way that it made sense and had a resolution (unlike, well, the entire franchise, since everything is open-ended), which led to some strange degrades. In my opinion, it was very obvious as to where the story was going after the 30-minute mark, and, in a way, it followed the typical “revenge plot”.

As for the characterization, it was fine for an adaptation. While the original 1995 Kusanagi is a bit of an emotionless woman, this adaptation has her look a bit more uncertain of her surroundings and a bit feisty – a strange contrast to 1995 Kusanagi, who seemed to know everything and did as she was told. Despite the hate that Johansson got for this, she did a good job with the script she was given. Although not a main character, Batou was certainly a well-rounded character, and if they ever decide to make an adaptation of Innocence, I’d like to see that actor doing the role again. Aside from those two, none of the other supporting characters got much screen time, although it was funny to see Beat Takeshi (well-known for his role as the hilarious psycho teacher Kitano in Battle Royale) as the calm & collected leader of Section 9, Aramaki Daisuke.

Cinematography-wise, there were plenty of interesting shots and camera angles. However, the world in which the story took place in was a lot more Blade Runner inspired than anything, with plenty of CGI and holograms to boot. As for the music, it’s your typical sci-fi flick background noise, which is why I was surprised to hear the original film’s theme “Making of a Cyborg”, during the end credits. It felt quite nostalgic.

Overall, Ghost in the Shell 2017 is not a bad movie. It definitely isn’t as bad as Dragon Ball Evolution (another anime adaptation film), but it isn’t as good as the original either. However, I commend the team on at least trying to make it work out the way it did.

Final rating: 7/10